Close Encounters of the Turd Kind
Benny made sure to get proof
I just wanted to see the studio and some paintings, meet the artist, and wind down with a glass of wine and good conversation. But Benny had other plans.
We arrived at the studio’s entrance on
We nodded whilst exchanging surreptitious glances that the inebriated Benny would fail to register even under stage lights. “Robin, you owe me big time,” Benny said. I rolled my eyes. I felt a sinking feeling of embarrassment in front of Dave and Dan. This was their first impression of a guy from my hometown,
Benny widened the crack in the door and allowed us to walk through. The dark antechamber had shelves to the ceiling, neatly stacked with books and papers. The massive studio, brightly lit, had white walls decorated with various works, including large paintings of Bill Clinton, Kate Moss, and posters of his retrospectives.
Benny strode confidently to the center of the room where the artist sat. He introduced us, and we all shook hands. The three of us walked around the studio to look at the works and then moved off to the side to chat. Benny hovered over the artist, wrapped in intense conversation. I wondered what on earth Benny could be saying to him, and shuddered at the possibilities racing through my head.
After about fifteen minutes, Benny joined us. His voice was loud, like that SNL character Jacob Silj, who has a voice modulation problem. He blathered on again about how lucky we were to be there, and what a great artist he was. I decided to change the topic and asked him about some of our fellow friends from high school. I wanted to know what he thought of one friend’s new boyfriend. The conversation went something like this:
- “Oh, that guy. Robin, look, he’s a douchebag. I’ve known that guy for five years. He was a douchebag then, and he’s a douchebag now.”
- “Really?” I asked incredulously. “That’s not what I heard.”
- “Yes, and when he cheated on her last time I told her not to go back,” he carried on, his breath laden with whiskey.
- “What? I never heard anything about this!” I said.
- “Yes, I told her, ‘Ann, you gotta let this one go,’” he continued.
- “Uh, Ann? I said LEIGH Ann, not Ann!”
- “Ohhhh, right. Channing. Yeah, great guy.”
After that lucid conversation, we moved on to another mutual friend. I mentioned the last time we all hung out and how Benny had tried to set this other friend up with a girl. “Right,” he said. “But I don’t know what’s up with Indians. They don’t want to date darker people. He doesn’t like darkies!” His voice was growing louder, and he repeated this statement several times with greater conviction. Other people in the room pretended not to hear, but I noticed slight turns of the head from several directions. I’m sure the artist heard as well. At this point I just didn’t want to be associated with him at all, so I tried to make the conversation wind down.
“Look, guys—what were your names again?” he asked of Dan and Dave for the second time. “Do you want some fine whiskey?” he asked. We nodded, but only to make him go away. “You gotta take advantage of this situation. Nobody in this room knows who he is. They don’t give a damn about it, so now’s your chance to talk to him.” He walked away and I breathed a sigh of relief.
Ten minutes later he was back, carrying four sizable glasses of whiskey. We sat down at a table. But the party was already starting to disperse, so we stood up to go. But Benny wanted another word with the artist. “I’m gonna buy you a bottle of scot-…hop,” he managed. “What?” asked the artist. “Scot…hop.” “Scotch?” “Yes.”
And with that glorious finale, we rushed to the door, the last to depart. On the street corner outside, Benny wanted me to repay him in dubious ways in
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